Illuminati By Audrey Roget audrey_roget@yahoo.com Date: 24 Dec 1998 DISTRIBUTION: Please forward to ATXC; archive at Gossamer; others please flatter me by requesting permission first. SPOILERS: Mostly vague and non-specific RATING: PG CLASSIFICATION: SRA KEYWORDS: MSR, Angst, Holiday fic SUMMARY: Certain details inspired by (all right, ripped off from) "Ghosts," but not tracking the storyline of the ep. Mulder and Scully visit and avoid their families, ruminate on faith, embrace loss, and open presents. DISCLAIMER: Indulge me a moment. The principal characters portrayed herein are ultimately owned by Rupert Murdoch, spawn of Satan. I thank Chris Carter and company for bringing them to life and continuing to oversee their development and ongoing existence. At the same time, Fox Television and 1013 Productions would do well to acknowledge that, in the larger sense, these characters belong to all of us, for without us, there is no they. With that in mind, I declare a complete lack of intent to derive profit from the production/distribution of the following material or to infringe upon the ownership of the personages not created from my own imagination. SEASONAL DISCLAIMER: I am aware that Christmas and Hanukkah do not line up so conveniently on the calendar this year as they occasionally do. I mean no offense in fudging the dates slightly so as to create a tighter timeline for this story. In the same spirit, kindly overlook any inaccuracies in the portrayal of religious traditions. Illuminati - part 1/2 By Audrey Roget Monday, 21 December 1998 Georgetown 7:45 a.m. "Oh, sweetheart, Bill and Tara and Matty will be so disappointed," my mother said on the phone this morning. "I'll see them - and you - Friday morning," I replied, willing my voice to strike the appropriate balance between conciliation and determination, praying like a nun on speed that she wouldn't ask for too many details. "What about midnight mass? Won't you miss the candles and the choir singing...?" she intoned in that forlorn way only a Catholic mother can. "We'll go in the morning," I assured her, "it's supposed to snow Friday, it'll be beautiful." "Wouldn't it be lovely for Matty to have a white Christmas?" "Yeah, mom. I'll teach him to make snow angels." Since when did images of angels and Christmas snow make me want to burst into tears? "Well, you have a nice time at your office party...don't any of your colleagues have families to go home to on Christmas Eve?" Damn, I was almost home free. Or not home, actually. "Yes...of course, but it's considered poor form not to show up for at least some of the festivities." My lip curled at the thought. "And, since we have a new assignment, new superior, we, uh - I - should really do more than just put in an appearance." How on earth did I lie so easily as a teenager? As an adult, I could barely get the words to come out in the right order. I've told my mom as little as possible about the new developments at work, and virtually nothing about the dark cloud of hostility hovering over Mulder and me. Or that the animosity rains down from directly over our heads in the form of Tropical Storm Kersh. "All right, Dana. We'll miss you. But do try to come first thing Christmas morning, okay?" I breathed a sigh of relief. "I promise, Mom. Give everyone my love. I'll see you Friday." ### J. Edgar Hoover Building 3:17 p.m. Mercifully, there is no such FBI office party that I'm aware of. Nor would I go, under threat of assassination by Cancer Man himself. In fact, I may take Thursday off altogether. I never thought I could feel any more claustrophobic than I did in the five years I spent in the cluttered basement office under my partner's variably disinterested or overly-watchful gaze. The place was a palace compared to the "gerbil bin," as Mulder has taken to calling it, where we now spend our on-duty hours. "Psst, Scully..." Mulder grabs my attention away from the sixth pile of manure (or report of suspiciously copious quantities thereof) I've signed off on today. My eyes flick up to the top of the salmon-colored upholstered cubicle divider. The color reminds me of dirty pencil erasers. Mulder has his two index fingers poking over the top. He's drawn little faces on each, one with long eyelashes, I'm guessing, to indicate that finger is female. Add ambidextrous to his many unusual talents. "Hey, FBI woman," Mulder makes his voice super low and husky and wags the `male' finger, "What's say you `n' me defy direct orders for a change? The boys tipped me off to a haunted house outside Baltimore that's the site of several long-unsolved double murders - all of which took place on Christmas Eve."" It takes every muscle in my face not to snicker like a ten year-old. Why do I bother anymore? Do I honestly think my refusal to enjoy this silliness discourages him? No. But the longer I hold out, the further he'll go, and there are days I want to find out exactly how far Fox Mulder will go. "Oooh, Mr. FBI-Man," he makes a swoony, high-pitched voice for the girl finger, "I'd looove to stake out a haunted house and piss off my superiors with you! But I have very important dung piles to investigate. And after that, I have to strip-search every deadbeat dad between here and Wilmington." "Hey - I bet you're lookin' forward to that action!" says the male finger. I crack the barest hint of a smile. "Dung piles, Mulder? What am I, a beetle?" Mulder takes the pun and runs with it. "Well, we are more popular than Jesus, you know," he attempts a Liverpool accent. "Was that George or Ringo?" I ask, pushing his buttons and letting more teeth show. The male finger bangs its head against the partition. "Now look what you've done," the high voice returns, "that's how he went wacko to begin with, you know. Now all he can talk about is flying saucers and werewolf babies." I lose it, finally, bringing one hand down over his and hiding a fit of giggles behind the other. We catch a nasty glare from Kersh's assistant, who's flirting with Mel Barney two cubicles over, and figure what the hell, and laugh openly at our secret joke. "You make a tempting offer..." I begin, "but...silly as it may seem...`How the Grinch Stole Christmas' is on tonight and I wouldn't miss it for the world." That's not an outright lie. I /was/ thinking about watching it while wrapping presents and setting up the tree. He sighs dramatically, "I suppose, if it's that important to you...I could put aside this extremely pressing investigation to watch the Grinch with you..." What just happened here? Did he just invite himself over to watch TV? "The Grinch it is," I acquiesce, adding, "your idea, your place, your pizza." This way, I can leave as soon as the show's over and get things done at home, rather than have my insomniac partner lingering until the wee hours at my place. Though, under other circumstances, that idea would be rather tempting. "Ooh, Scully, I love it when you take charge." "Hey Mulder," I say, holding up one of my own fingers, "don't say I never gave you anything." ### Alexandria 6:48 p.m. If I were a practicing shrink, I could learn all I needed to know about a patient by asking one simple question: `Which character in "How the Grinch Stole Christmas" do you most identify with, Cindy-Lou Who, the dog, or the Grinch?' See, Cindy-Lou is an innocent archetype, a believer in the fundamental goodness of others, a curious, open-hearted child unwise to life's harsher realities. The dog is a cowering little beast whose survival instinct drives him to do whatever it takes to please his master, in the hopes that he will eventually earn his reward. And the big green man himself? For him, kindness and joy are illusions people construct to convince themselves they're happy. But he's on to the whole act. He sees how ugly people can be inside, and he's fundamentally suspicious of everyone elses' motives. Anyone else's happiness. Nothing is pure, nobody is truly happy, so he stews in isolation on his cold mountain top while hatching a plan to bring down all of Whoville's prettified notions that love and security and peace really exist. But the Grinch, in a single morning, experiences a complete spiritual overhaul. And tonight, inexplicably, I feel like I may be on the verge of one myself. Don't ask me why I take this particular Dr. Seuss story so much to heart. Sam and I loved it, insisted on watching it every year, though what we knew of Christmas was mostly second-hand knowledge gleaned from classmates, neighbors and television. I think I must have been in junior high before anybody explained its religious origins to me. In truth, I haven't had any desire to watch the show in years. I didn't think Scully would actually want to come - I was really just kidding around this afteernoon. Things have been tense between us the last few months and we're not quite in sync like we used to be. The exhilaration I felt bringing Scully back alive from the bottom of the world, and the assumption that she had all the first-hand experience she needed to make belief possible, disintegrated like the fragile pages of files I've been trying to piece back together. Nonetheless, she issued her orders: the Grinch, pizza, my place. I couldn't have backed out even if I wanted to. Despite the added complications of our reassignment and the derailment of our work, I hold out hope that her visit tonight is a sign that we can be repaired, too, piece by piece. Shit, what time is it? Better order the pizza and see what's around to drink. I get off the phone with the pizza guy and wander into the kitchen. No beer; no iced tea. A bottle of red wine lurks in the corner behind the empty breadbox. When did I buy that, anyway? What the hell. Reaching up to the top shelf of the cupboard for the wine glasses, I spy it way in the back corner. It always reminds me of a hand with too many fingers. Silver and simple in design, my mother sent it to me the first year I lived in England. I've never used it. Now, I take it down from the shelf and dust it off with the sleeve of my shirt. The one I remember from my childhood was more ornate, gold, with swirls and curlicues and crystals embedded in the base. Each night, Samantha and I would wait eagerly for my father to get home from work so we could light the candles, adding one a night as the week passed. And then on the eighth night, there was always a big dinner at my great-aunt's house on the Cape, and usually, we got to stay home from school so we could go over for the whole day. I wonder what's happened to all those cousins we used to see once a year. The year she disappeared was the last time my parents took me there, though for the next few years we still went through the motions of lighting the candles and saying the prayers. Mine were never answered. ### 7:12 p.m. Mulder's window looks unearthly from the street, eerily blue in the early dark of December. I knock at his door twice before deciding he isn't home yet and let myself in. But he is there, slouched on his sofa in the glow of the television, two empty wine glasses on the table before him and a silver object in his hands. He looks lost in thought, which explains why he hasn't heard my knocking or the bolt sliding in the lock. I watch him ponder the candelabra and decide to let him come back from wherever he is, rather than interrupt. After several minutes, without looking up, he speaks. "It's the first night," he says quietly. I take that as my cue to doff my coat and gloves and head over to sit next to him on the sofa. "This is beautiful," I say, indicating the menorah as he places it on the table. He nods, then shoots a glance my way. He's never told me about his religious upbringing. I only recently realized he even had one. I can't tell if he wants to talk about it, or if he'll feel I'm intruding into to territory that's too personal, too painful. The quiet has filled with tension, so I clear my throat to break it and plunge ahead. "I only knew one Jewish family growing up. Melissa dated their oldest son when she was in junior high. We were so envious that all their kids got presents for eight days instead of just one." I smile a bit at the memory of Missy being allowed to wear high heels for the first time - thick wood-platform affairs - when Gabe took her to the eighth-grade graduation dance. Mulder smiles at his own memories, too. "Yeah, but the first night was always the best. I'd compare it to Christmas Eve, except I'm not really sure what that feels like. Besides, Hanukkah is more a celebratory feast rather than a sacred one." "I thought it was the celebration of the victory of an underdog against a tyrant?" I say, struck by the obvious analogy. He nods. "And the miracle" - he waves his hand around, embarrassed to use the word even in its appropriate context - "that oil that should have only lasted one day kept the lamps burning for eight." He clears his throat self-consciously. "But it's not one of the holier celebrations. Traditionally, it's more about being with family at home. It's basically the Hebrew version of the more ancient winter solstice celebrations - you know, the triumph of light over dark. Did you know most tribal peoples, in one way or another, celebrated the first day of winter because it marked the end of the days getting shorter and the beginning of the return of the sun?" He's on a roll, in full professorial-lecture mode. Such a handy way to distance oneself from that which hits too close to home. On this I am a bona fide expert. Still, I nod attentively, soaking up endless fascinating facts about Druids and pre-Columbian peoples, waiting for him to run out of steam. Which he does, just as the pizza deliverer knocks at the door. While he rummages around in his wallet to find the right change, I find the correct channel on the television and settle into the couch. We eat our pizza, drink a little wine, which Mulder produces from the kitchen with a flourish, and comment on the strides animation has made in the last thirty years. The last strains of the Whoville choir fades out as the 300th obnoxious toy commercial blares up, so Mulder mutes the sound and we similarly grow quiet. I glance at the menorah again. "Do you have any candles?" I ask. Mulder shrugs, gives me an odd look. "Somewhere around here..." he hauls himself off of the couch to rummage through a couple of desk drawers, then searches noisily in the kitchen. "Aha!" he exclaims, striding back into the living room and holding up two small white votives, "from the brownout last summer." He places one of the candles in the center position and touches a lit match to it, then dips the wick of the other one into the flame. The flame flares, and Mulder sets the second candle in the holder next to the first. He flicks off the television, leaving us in darkness except for their yellowish glow. Again, we are quiet, contemplative. The candles and the wine work their magic, blurring the lines between us. Mulder reaches out to my hand resting next to him. He takes it in both of his and holds it for several long moments, caressing it with his thumbs. What he says next is unexpected, but not surprising. "I wonder whether she's lighting the first candle tonight. If she and her kids and her husband are gathered around the dinner table, singing songs and saying prayers. If she remembers the words. If she believes in them now." "Your sister," I state. He nods mutely, not taking his eyes from the flickering lights. I slip my hand away and lean forward on my knees. "Have you tried to contact her since...the last time you saw her?" I ask. He shakes his head, then shrugs. "She asked me not to. She doesn't want to remember, Scully and I think...I think...she knows that being around me would be like going under a microscope." He sighs. "She's afraid of me, and I can't say I blame her." "Did you ever tell your mother about seeing her?" "No," he says quickly. "My mom doesn't want to remember anything, either. I think she regards the stroke as something of a blessing in that respect," he mutters bitterly He leans forward for his wine and swallows the rest of the glass. Rising to clear away the pizza box and the bottle, he mumbles something about wishing he could put the past to rest so easily. As he trails back in from the kitchen, he stops and peers down at me in the dim light. I feel the blood pump a little faster in my veins whenever he regards me so closely. It's not a bad feeling, not at all, and with the wine tonight, I feel the color rising in my cheeks. But this discussion about holidays and familial estrangement has gotten me thinking about something I've considered bringing up from time to time, but never had the guts to follow through with. Still gazing at the candles, I begin, "Mulder, have you ever thought about just...and I don't mean to stick my nose where it doesn't belong -" "Your nose is welcome anywhere, anytime, Scully," he interrupts. "- never mind." I chicken out momentarily, but find my voice again. "Maybe, if you were just to visit with your mother...without trying to interrogate her." I hold up a hand to waylay any further interruptions. "I'm sure there's a lot I may never understand about your relationship with your parents, and maybe I'm out of line to suggest it, but if you could sit down with her, just like you're sitting here with me and...and - talk. Talk about good things you both remember. You've been able to tell me about some of them. Why not reminisce with someone who was actually there? She may need to be reminded that there were some good moments just as much as you do." He opens his mouth, but I continue, "Wait. Hear me out before you disregard what I have to say." We both grin slightly to recognize this as Mulder's usual line. "I don't think you have to pretend that what followed didn't happen. Or that your mother didn't contribute to the family tragedy and probably did you a terrible injustice by trying to erase the past." I reach up to take his hand in my and smooth my thumb over his knuckles. "That's a relief," he remarks sarcastically, "in case you hadn't noticed, I'm not really a subscriber to the `think happy thoughts' school of psychology." "You know that's not what I'm suggesting," I reply, undeterred. "I know it's rough....sometimes my mother and I, we talk about Missy - and my dad," here my voice feels like it's going to break, "and it hurts sometimes to remember even the nicer moments, to realize those moments are gone, and there's no chance to relive them, or to create new memories. But it keeps them alive for us, Mulder. We remind each other of how lucky we were to have them." This time, he's the one to break contact, circling back around the coffee table to sit at the other end of the couch. "Scully, I appreciate the thought," he says wearily, "but it's not that simple. Not everybody's mom is like the unsinkable Maggie Scully. Mine may be mentally fragile, but she's also impenetrable as the Great Wall." "It all comes down to a matter of trust," I say, almost under my breath. He looks at me sharply. "Mulder, you and I have spent years building the trust we have between us. As strong as it is, we still have to work at it every day. And every other day, it seems, there's another leap of faith one or the other of us has to make." "I know there's a point in there somewhere, if I just look hard enough..." he smirks. "The point being that your mother doesn't know she can trust you, Mulder. You may never feel that you can trust her completely, but what about her insecurities? For her own safety - and possibly for yours - she must have had to keep so much to herself. If you only see her as a befuddled old lady - or worse, as an enemy who's been veiling the truth from you all these years - she can only see you as someone who threatens whatever small measure of stability she might have. But if you love her, Mulder, if that's still within your grasp, just be her son. Give her - give yourself, for godsakes - the chance to rebuild whatever you might be able to salvage, and then...see what happens." He is silent for several minutes, twitching his foot around lazily, and finally turns to me. "Time to come down from Mount Crump, huh?" I smile warmly, offering whatever strength I can to get him through this. Mulder stretches his arms to me and pulls me close. "Just one thing, Scully," he says softly, warm breath tickling my ear and nearly making me forget the thread of conversation. "Hmmm?" "Sitting down with my mother is nothing like sitting here with you." And so, we sit silently for a time, holding hands and watching the candles flicker. End part 1/2 Date: 24 Dec 1998 11:02:27 -0800 From: Audrey Roget Subject: NEW: Illuminati 2/2 Thursday, 24 December 1998 9:07 p.m. If my mother believed the confabulation I created for her on Monday morning, in her mind at this moment, I am all dressed up, sipping champagne and schmoozing my colleagues. Not sitting alone in front of the fireplace in my own apartment, staring hard at snapshots of two whose loss changed forever the way I think of Christmas. I feel guilty about lying to Mom, but not guilty enough to accompany her to midnight mass, or sit by the enormous tree in the living room drinking egg nog with my big brother, trying to pretend I'm the same person I was before I lost the people in these photographs. In my right hand, I hold a picture taken nearly twenty years ago. The year I was fifteen, and we lived in San Diego, Ahab took us fishing on Christmas Day. With Bill's help, he reeled in a behemoth of a shimmering blue swordfish. Back on the pier, my dad pulled me over to where they'd strung it up to weigh and clean it, saying, "Starbuck, it's no white whale, but it'll do for dinner." I wrinkled my nose at the smell of decaying fish, and in that instant, Charlie snapped a shot of the two of us with the pocket camera he'd unwrapped that morning. I threatened him with instant, violent death if he didn't turn over the picture to me when it came back from the developer's. In my left, is the now dog-eared image of a three year-old Emily. As much as I've tried to imagine what those first three years were like, and agonized over her final days of life - the only days I was fortunate enough to have with her - I find myself wondering what she might have been like at four, at five, six... And, ultimately, I bring the two together, wondering if somehow their souls have made each other's acquaintance yet. I'm utterly at a loss to imagine how my father would have reacted to learning he had a granddaughter under those strange circumstances. I am sure he would have supported my decision to petition for adoption. And he would have loved Emily, of this I have no doubt. In that first year after his death, I carried tremendous guilt over his not having lived to enjoy Scully grandchildren. If I had just fulfilled his ambitions for me, I might have been able to give him that. Gifts withheld, by choice or by circumstance, leave a void in the soul of the giver. I place the pictures on the end table and curl up on the sofa. /Help me bear it, Ahab. I need your strength./ Tears streak down my face, but I don't bother to wipe them away. I realize now how much damage I wrought by not allowing the hurt to sink in when Ahab and Emily were taken away. Tonight, I can feel it seep into my bones, as an arthritic senses a storm coming. And I embrace it. ### Somewhere between Greenwich, CT and Georgetown Photo albums. I never realized she'd kept so many. I don't recall having so many pictures snapped of us as kids, yet there we are, in Kodak moments up the wazoo. I'd almost suspect them of being doctored, except that each one brought on such a strong rush of memory: Pictures of me with a black eye I'd gotten during little league practice; Samantha's sixth birthday party - I remember what her best friend's mother wore and that Donny Gayle from down the block threw up his entire lunch after a particularly rough round of Red Rover. Did my mother know from the time we were born that she might not have us for very long? I hate to be so boorish as to say something like, `I can't stand it when Scully's right,' especially when she so often is. Despite her guarded optimism when I took her suggestion to drive up to Connecticut to be with my mother this week, I didn't look upon this trip so brightly. In fact, I was almost determined to prove Scully wrong, figuring I'd get there, exchange tense greetings, sit through an interminably uncomfortable meal and be on my way. Instead, when I arrived in Greenwich unannounced on Tuesday evening, Mom greeted me warmly, said she'd been thinking about me a lot lately and had been meaning to call. I took it all with a grain of salt, considering that sometime between my actual near-death experience and the staged one, my mother stopped initiating communication with me. But for the next day-and-a-half, hard as it is for me to believe, we did mother-son things. She made me pancakes for breakfast the next morning. I took her car in to have the engine lubed and the tires rotated. I actually asked her to tell me about growing up in New York during the Depression and World War II, ashamedly realizing that I had never done so before. She hauled out mountains of scrapbooks I was amazed to learn she had kept. We didn't exchange gifts for Hanukkah - neither of us had expected to see the other, after all - but we did light three candles together last night and recited prayers neither of us truly believe anymore, but said anyway, as if to establish some sort of faith in ourselves, more so than in God. And yes, there was considerable wariness on both our parts. We skirted topics. She clammed up when she sensed the conversation might turn down a path too treacherous for her to follow. With the self-control of a Zen master, I managed to avoid pummeling her with questions about Dad's work, his "associates" and whether they ever knew or suspected that Samantha was alive these 25 years. Whether they knew, and decided to keep the knowledge from me. And I still didn't tell Mom about meeting a woman who claimed to be her daughter, who also claimed to have been raised by the man I consider the incarnation of pure evil. Despite the uncomfortable pauses, and the occasional feeling that we were merely going through the motions of a friendly visit, I began to feel a genuine connection with my mother which we haven't shared since I was a kid. When we said our good-byes this afternoon, she asked something of me, and I think now, it's the first time she's made such a request. "Come back soon," she said. ### 11:37 p.m. I pull up in front of Scully's building. Her windows are dark. except for the tiny twinkling lights adorning her tree. I vaguely remember something about a family tradition of going to midnight mass. Slipping my key into the lock, I let myself in, and quietly shut the front door to Scully's apartment, not wanting to rouse her neighbors. I head over to the fireplace, thinking to slip the package from my pocket into the bright red stocking with her name embroidered on it in gold thread. "Who's there!" The sleepy voice shoots through the dark quiet like a heat-seeking missile and I nearly piss my pants. I draw a deep breath, and try to reestablish my pulse. "Nobody stirring, not even us gerbils," I say, trying to sound cool, but it comes out like one of the teenage voices on the Disney Haunted House record. Scully flicks on the lamp next to the sofa. "Jesus, Mary and Joseph," she swears, appropriately enough. "I never expected a visit from Santa Mulder," Scully cracks dryly. "What are you doing here?" "What am /I/ doing here? Shouldn't you be out caroling or decking or midnight massing, or whatever Cleaveresque thing families do on Christmas Eve?" "Yeah, well the Beav decided to take a mental health day from work and the family," she smiles sadly. Only then do I notice how her normally porcelain skin is splotchy and flushed. I spy two photographs on the end table, an adorable one of a teenage Scully and her father, posed with a fish /this big/ hanging behind them, and the birthday party snapshot of Emily propped against the first. I shrug out of my jacket and throw it on the chair. Settling on the couch next to Scully, I ask, "Want to talk about it?" "Make yourself comfortable, why don't you," she zings flatly, throwing in a perfect Scullybrow for good measure. I don't say a word, knowing she'll come out with it when she decides it's time. As it turns out, I don't have to wait all that long. ### "It's hitting me harder than I expected it to," I say tightly. Mulder shifts immediately into comfort mode, raising one hand toward my shoulder. I can't bear to look at him directly, knowing how emotion pools deeply in his eyes whenever I dare put my feelings on display. "Don't," I caution, and his hand stops in midair, hovering for a second before dropping with a light thud to the cushion below. "Soothing is the last thing I need right now. I need this anger, this sorrow, all for myself. You can't feel this for me, Mulder. I want to - I have to - feel it for myself." He wants to protest. The space between us is alive with the tension of his unrealized desire to take on my burden, to assure me that he feels my pain, that I am not alone in my suffering. "Scully, if you're determined to take this on alone, I can respect that." He chooses his words carefully. "All I ask is that you reach out the second you feel yourself start to fall." I sigh and nod, knowing he'll be there to catch me. "It's just...misery doesn't always love company." "Do you want me to leave?" he asks softly, as neutrally as possible. "No," I reply honestly. For a long while, we simply sit together in the glow of the candle: me and my grief, Mulder and his frustrated empathy. Together. It is the most precious gift he could ever give me. Speaking of gifts, my curiosity has been on red alert since I awoke to find Mulder stealthily creeping toward my fireplace mantle, so once I have had my fill of sadness, I break the silence and re-enter the world of the living. ### "What's that?" she says, pointing her chin over to the chair where I dropped my jacket. I smile a bit, embarrassed now that my Kris Kringle act has tanked. "This?" I say, reaching over to draw the package out of my jacket pocket. "I have no idea. I almost rear-ended a sleigh out on the Jersey Turnpike, so the jolly old fat guy driving the sled handed this to me and begged me not to report it to the DMV. But what's this," I tease, dangling it above her head, "it says `for Dana.'" I'm incredibly relieved to see a twinkle - however slight - return to those eyes. "Well, in that case..." she begins, tearing herself from the sofa and going over to crouch under the tree, "...I noticed something over here with your name on it." I turn all warm and mushy inside at the thought of Scully picking out a present for me. With a self-pleased and anticipatory look, she hands me a smallish package wrapped in shiny paper and tucks her legs under her as she resettles in the corner of the couch. "You first," I say. "No, you," she counters, of course. We exchange a quick look and simultaneously set about destroying the glossy paper and bows. ### My gift is simply - and surprisingly neatly - wrapped, and I win the race, eager to discover what surprise Mulder has in store for me. He has quirky taste in gifts, and I am not disappointed tonight. Once I see what he has chosen for me, I involuntarily sigh, distracting him from unwrapping his own treasure. "Mulder...it's exquisite." In my hands is a handmade candle, pale lavender in color, scented like summer flowers and exotic spices. The wax is almost translucent, and is intricately molded and carved, giving it the look of fine crystal. There is a small card tied to it with a silver ribbon that reads, `PEACE - light it in moments of stress or despair aand allow its soothing aroma to restore calmness to a battered soul. Light it in times of contentment to enhance an atmosphere of well-being and to share your serenity with all in its glowing circle.' I understand immediately that these are the things Mulder wants to give me. It's clear he doesn't recognize that, for all the friction and worry and anxiety that exists in our world, he does indeed bring me a large and potent measure of contentment and well-being. Especially by being here tonight. I can't think of anything else to say, so I place a hand on the back of his neck and pull him down to kiss his forehead. My lips linger there far longer than any forehead-kiss has a right to, and I rise to go search for a candlestick. ### I listen silently to the muffled banging coming from the kitchen. I can still feel the imprints of her lips on my skin. Soon, Scully returns with a candle-holder and a book of matches. She sets the candle on the table in front of us and lights it. A heady fragrance wafts through the room and she breathes it deeply and sighs. "I'm glad you like it," I say, admiring the way the ivory column of her neck stretches up languorously as she fills her lungs. Is it me or does that candle put out a whole lot of heat? "I - I love it," she clarifies, then smiles slyly. "Is this another find from your head-shop down on M Street?" "Not even close," I chuckle. I bought it in one of those chi-chi places up on the Vineyard one day while my mom and I were in town. "You took your mom shopping," she remarks incredulously. "Not exactly. My mother is...um...going on a cruise, believe it or not, left this morning actually, and had to pick up a few things for the trip. She let me tag along." Scully nods vaguely and I realize this isn't what she was getting at. She's not interested in whether Mom enjoys herself in Mexico, or whether she found the right 40SPF-anti-wrinkle-waterproof sunblock. "It was a good idea, Scully," I volunteer. "We had a decent visit. It wasn't sunshine and roses, but we actually laughed once or twice, for what it's worth. I may go up again over the long weekend in January. Thanks." And, with the perfect opening to return her kiss, I do just that. "Don't thank me yet," she murmurs, placing a hand on my chest, then gesturing to half-naked the box I clutch in one hand. With great effort, I pull away from her and return to the task of unwrapping my present. `Nudes! Nudes! Nudes!' the cover of the video box screams. The accompanying photo of a bespectacled, middle-aged nun in full habit clashes incongruously with the title. I shoot Scully an amused glance before reading the box's copy aloud: "Sister Christopher explains it all to you. The glory of the human form in masterpieces throughout the ages, from Titian to Duchamp." I can hardly finish before giving in to a good belly laugh. God, I love this woman's sense of humor. I look over at Scully again. Her cheeks are pink, but not from the fire, and not from tears. "It's pronounced `TEE-shun.' Didn't they make you take art history at that snooty English university?" Scully does her best, and fails gloriously, to restrain the grin pulling at her full mouth. I do my best, and also fail, to control the urge to touch my own lips to that grin. I feel her register surprise for a half-second before leaning into the kiss, parting her lips, her tongue darting out to make brief, electric contact with mine. We pull away, struck by the intensity of what has just happened. A hundred thoughts are spinning in my head at once, but I can't form a coherent string of words to express myself, or to ask her what she's feeling. From the look in her eyes, she's just fine, thank you very much. And her expression tells me, clear as day, that this moment is not one which needs to be questioned, analyzed or defined into oblivion. Eventually, I break the silence. "Thanks again, Scully. Finally, a video I can admit to owning," I muse, then leer at her sideways, "care to watch it with me?" In answer, Scully goes to slip the tape into the machine, and when she returns, sits down close alongside me. She rests her hand on my thigh, palm up. I take the hint and twine my fingers with hers. Turning her face up to mine, she whispers, "Merry Christmas, Mulder...thank you," and lays sweet kisses on each cheek. "Happy Hanukkah, Scully," I reply, pressing my lips to her temple, then to her mouth. We kiss gently and deeply for a little while longer before she pulls back and looks me in the eye. Half-seriously, she asks, "Can we still sit together and watch TV and burn candles even when it's not Christmas or Hanukkah?" No, Scully, we don't need excuses anymore to be close like this. "Well, there's always New Year's," I tease gently. "And Epiphany," she adds. "MLK Day" "President's Day" "Valentine's" "Yeah, Valentine's Day..." she smirks, and I secretly buzz all over to think that this year I'll buy red roses for Scully. "And then what?" she asks. "And then, we'll start making up holidays. You know...Take an Alien to Lunch Week, Give Your Boss the Finger Day, and so forth." "I like the sound of that last one," she mutters, letting her head loll on my shoulder. "Whatever turns you on, Scully. Whatever turns you on..." And faster than you can say `deviated septum,' she is snoring. I cradle Scully's dozing head in the crook of my neck and turn my attention to the television, where the good Sister delivers her discourse on the history of nakes in art. It pleases me no end to notice how many of the goddesses and nymphets and lovers portrayed in these paintings sport tresses in every shade of red. So this is what Christmas Eve feels like? Anticipation that something really great is going to happen, that you'll feel like a happier, shiny-new person in the morning? That you go to sleep convinced that when you wake, your heart's desire will be waiting for you to unwrap it? END